Reed’s work prompts reflection on tendency to violence
“Introspective,” a solo exhibition of photographic series and videos by Buffalo artist J-M Reed in CEPA Gallery, wastes no time in stating its theme.
“Introspective,” a solo exhibition of photographic series and videos by Buffalo artist J-M Reed in CEPA Gallery, wastes no time in stating its theme.
Once in a rare while, an eclectic group of off-the-radar artists get together to put on an exhibition called “CREEPSHOW.” You never know quite where it’s going to pop up, but when it does, it’s an occasion not to be missed.
Buffalo’s art scene is in the midst of a back-to-the-future moment. The outside of the Albright-Knox looks a lot like it did in 1972, when a mischievous young artist named Charles Clough “decorated” the gallery wall with a bright orange arrow.
Decades after first and only exhibit, prints find new life
Known the world over for her probing self-portraits of her imaginary selves, Sherman's genius is on full display in a MoMA retrospective, with a nod to her formative years in Buffalo at the Albright-Knox.
The Springville Center for the Arts, an institution out to revitalize Springville and neighboring towns one theater production and art exhibit at a time, has come into its own as a unique institution.
“Storyboard: The Sexual Politics of Jackie Felix” is a retrospective of the artist’s provocative work from across her career. The exhibit opens today at the Burchfield Penney Art Center.
Actor’s visit includes films, books and more
As you approach the center of Hallwalls Contemporary Art Center’s gallery in Babeville, a metal framework with four wheels begins to rotate across the surface of a large, wooden block. The framework is connected to a record player, which sends a low rumble out of speakers in the gallery.
Striking new Denver museum honors eccentric artist's wish that his monumental abstract works be housed in one place.
In her collages and drawings, Megan Greene fuses familiar images into unfamiliar shapes. In a memorable exhibition of drawings on black paper at Hallwalls Contemporary Arts Center in 2008, Greene combined things like ram’s horns and medical devices to create extremely disconcerting objects that were impossible to look away from despite their potential to disturb. On Saturday, a new and somewhat less menacing body of work by Greene goes on view in Buffalo Arts Studio, along with work by Buffalo artist Esther Neisen and Brooklyn-based artist Balint Zsako.
Buffalo’s art scene is in the midst of a back-to-the-future moment. The outside of the Albright-Knox looks a lot like it did in 1972, when a mischievous young artist named Charles Clough “decorated” the gallery wall with a bright orange arrow.
Once in a rare while, an eclectic group of off-the-radar artists get together to put on an exhibition called “CREEPSHOW.” You never know quite where it’s going to pop up, but when it does, it’s an occasion not to be missed.
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